KIMBERLEY BIANCA

Three networked participatory live-streamed performances: Nov 22, 27 and Dec 4-5 2020, which totalled 12.5 hours. Short edit in linear order, first performance had low stream quality. Participatory archive used for the performances: https://padlet.com/circuitboard/murphyslaw Murphy's Law implicitly asked- Is it material now? Projections have the ability to literally and aesthetically materialize digital artifacts (and digital transmission of them and people) beyond the flat screen. This form of liveness acts as a demonstration- it is not merely a show to watch which has been rehearsed. With Murphy's Law Or: How I learned to interrupt the transition- I found that while the transmission is definitely interrupted technically, what is really in between people, interactions, and elements- are transitions- not transmissions. It is a concept that opposes fatalism and conservatism. Maybe it seems like everything is bound to collapse and 'go wrong,' especially with pandemics and personal empowerment, but I wanted to encourage seeing these moments as interruptions in transitioning. Links to recordings of the streams: Nov 20 - Murphy's Law Or: How I Learned To Interrupt The Transition https://youtu.be/BFNuquJX0kE Nov 27-Murphy’s Law Or: How I Learned To Interrupt The Transition pt1. https://youtu.be/5fkna0kM1sE pt2. https://youtu.be/Ja2pDv3BiSY Dec 4-5 Murphy's Law Or: Drop Frames Not Bombs pt1. https://youtu.be/7vHndVX0Dgg pt2. https://youtu.be/eT0QgWKEfao pt3. https://youtu.be/1SUK-RgutPE pt.4 https://youtu.be/7whEqW0NHlo

Based on Kurtág’s only work for unaccompanied voice generates multiple trajectories and continuities across a diverse field of fragmentary utterances and literary and musical associations. Described as the ‘3D opera’ because of its unprecedented fusion of a live opera singer with film performances, soundscapes and multi-layered live video mapping. Judit Molnar – soprano Kimberley Bianca – audiovisual designer Stephen Danzig - producer

Site-specific AV performance - April 26 in Boulder, Colorado in a parked RV I'm renting on a ranch. Created, performed and documented in isolation

Blacknoise/Whiterain promo for General Pants Co.

Now across two days, our annual flagship event #EF16 featured a one-day showcase of experimental work and performance, with a second day of workshops and demonstrations. FULL LINEUP Analog Cabin // ANU Experimental Music Studio // Astrid Zeman // Celina Jayne // Clothing Crisis (Erica Deluchi, Tara Pearson, Andrew Burrell & Lloyd Barrett) // Dan MacKinlay // Deborah Redwood // Drop-Bearz // Elyse Goldfinch, Thomas Hungerford & Kate Brown // Mongrel - Ensemble // Glenn Remington // Hamish Dobinson // Hanli Botha // K Mason // Liam Bray and Steffan Ianigro // Loc Nguyen // Melt Unit & Hedonist // NEWT // NewvoDeco (Jade Boyd, Nick Wishart & Carly Rose Wolski) // Romi Nam and Darwin Vickers // Rowena Crowe // Skye Gellmann // Sydney Interactive Arts Meetup // Tara Jade Pearson // The Spectral Om Ensemble // The ZenCity Symphony Orchestra Project // Tim Heiderich DATE & TIMES Saturday 22 October, 1PM - 10PM: Showcase (Downstairs & Upstairs) Sunday 23 October, 10AM - 7PM: Workshops (Downstairs & Upstairs) + Meetup / Open Demos from 5PM (Upstairs) Join our Open Meetup here --> http://www.meetup.com/Electrofringe

KaleidOk invites participants to use a new kind of interactive media tool and take part in an emerging experience which explores emotional speech recognition, media retrieval and visuals generating in a collaborative context (between people, and between people and machines). By sharing data in new and creative ways, we can interact with world events, emotional experiences and social exchanges. Technology has made a kaleidoscope of diverse cultural expressions accessible, and KaleidOk offers a platform for people to explore the connections between their internal dialogue and the outside world