Based on Kurtág’s only work for unaccompanied voice,  Attila József Fragments, the performance generated multiple trajectories across fragmentary utterances and literary-musical associations. Described as a ‘3D opera’ because of its fusion of a live opera singer with soundscapes and multi-layered live video mapping. This performance unfolded the sequence of the twenty fragments and was followed by a panel discussion with the performers and invited industry experts.

 

Featured work: A Camouflage Opera

© 2020 Kimberley Bianca